Use facial feature of attached photo. Ultra-photorealistic high-fashion holiday studio portrait of a female model posed against a seamless matte crimson-red backdrop. The composition is a close-to-mid beauty shot focusing on the upper body and face, styled as a glamorous Christmas editorial.
The model wears a festive couture ensemble inspired by classic holiday aesthetics. The outfit features luxurious red feathered textures wrapping the shoulders and arms, with fine glitter-like frost accents dusted naturally across the feathers. A structured red satin bodice with wrap-style ribbon details contours the waist realistically. She wears fitted red gloves with a smooth satin finish. A Santa-inspired hat sits elegantly on her head, made of rich red fabric with a soft white faux-fur trim and subtle sparkle detailing, appearing plush and realistic.
The model has long, wavy black hair flowing freely beneath the hat, cascading over her shoulders and down her back with natural volume and movement. Makeup is editorial and lifelike: radiant skin with visible texture, softly contoured cheeks, defined brows, subtle eye shimmer, and a warm natural red lip. Her expression is joyful and inviting, smiling warmly with relaxed posture, one hand gently touching her face.
Lighting is studio-controlled and cinematic: a soft frontal key light illuminates the face evenly, a gentle fill light reduces shadows, and subtle highlights accentuate feathers, satin, and skin without harsh reflections. Skin tones remain natural and balanced. No illustration, no CGI, no anime, no 3D render.
Photography style: luxury holiday fashion editorial, classic glamour, realistic materials, premium magazine quality.
Camera settings:
Camera: full-frame DSLR or mirrorless
Lens: 85mm prime
Aperture: f/2.0
Shutter speed: 1/160
ISO: 200
White balance: neutral studio daylight
Focus: sharp on eyes with shallow depth of field
Aspect ratio: 4:5
Ultra-high resolution, crisp detail, natural skin texture, realistic fabric physics, professional fashion photography quality.
